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4–3–2–1 Darmstadt

Eine Kunsttopografie

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Ankabuta, Am Königsplatz (aus der Serie „Tagebuch I“), 2005, © VG Bild-Kunst, Bonn 2024
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Ferdinand Barth, Luisenplatz, 1959, © Institut Mathildenhöhe, Städtische Kunstsammlung Darmstadt, Foto: Gregor Schuster
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Willi Baumeister, Sieg der blauen Mitte, 1950, © VG Bild-Kunst, Bonn 2024
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Anna Beyer, Rosenpergola auf der Rosenhöhe Darmstadt, nach 1916, © Institut Mathildenhöhe, Städtische Kunstsammlung Darmstadt, Foto: Gregor Schuster
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Carl Gunschmann, Selbstbildnis mit Blumenstrauß, 1917, © VG Bild-Kunst, Bonn 2024
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Bernhard Hoetger, Loïe Fuller, 1900–02, © Institut Mathildenhöhe, Städtische Kunstsammlung Darmstadt, Foto: Gregor Schuster
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Marie-Jo Lafontaine, Belle Jeunesse, 1998/99, © VG Bild-Kunst, Bonn 2024
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Max Pechstein, Blaue Boa (Lotte Pechstein), 1917/18, Institut Mathildenhöhe, Städtische Kunstsammlung Darmstadt, Foto: © Wolfgang Fuhrmannek, Hessisches Landesmuseum Darmstadt, © VG Bild-Kunst, Bonn 2024

This catalogue is being published to accompany the exhibition 4–3–2–1 Darmstadt in the comprehensively renovated exhibition hall at Mathildenhöhe Darmstadt, an artist’s colony and UNESCO World Heritage Site. Outstanding paintings, sculptures, prints, photographs, and video art from Darmstadt’s Municipal Art Collection shed light on the city’s history and showcase some of the extraordinary individuals who have lived in the city or are currently involved in the local arts scene. The multifaceted exhibition on the artistic topography of Darmstadt focuses on several works by female artists that have never before been exhibited. This catalogue invites the reader on a journey through 200 years of cultural heritage in Darmstadt and the surrounding region.

Karen Irmer – State of Change

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